Can't say too much without giving crucial elements away. Just saw this at a screening in Boston and thought it was one of the more clever independent films I've seen in the past two years. Any cinema buffs, sci-fi fans, or documentary-lovers would find this a very inventive, well-executed, and highly entertaining piece. It seems like it would be unforgivable of any fan of Werner Herzog's to not see this film. You don't need to be a fan of his films to thoroughly enjoy this doc though. I have never seen one of his films before, but I went right out and rented two of them after seeing this film. Great cinematography, fantastic drama, some laughs, and some pretty terrifying footage that you won't believe you just saw!

希德姐妹帮是学校里的一个少女组织，维罗妮卡（薇诺娜•瑞德 Winona Ryder 饰）与另几名成员跟随头领希德（莎侬•多赫提 Shannen Doherty 饰）一起捉弄同学，排解无聊的校园生活。不久，维罗妮卡的注意力被玩世不恭又胆大妄为英俊男生杰森•迪恩（克里斯汀•史莱特 Christian Slater 饰）所吸引，渐渐在心理上疏远希德，并很快发展到决裂的地步。　　杰森帮维罗妮卡设计整治希德，不料造成对方身亡，二人伪造了希德自杀的假象，事后居然蒙混过关，这对情侣杀人后一发不可收拾，用相同的手法继续犯案，而且杰森身上的毁灭性愈发突出，渐渐对维罗妮卡也造成了威胁……

主人公一直在逃避自己的过去，因为童年时的一场大火烧死了他的父母且让妹妹精神失常。如今他不得不回到家乡，陷入谎言、欺诈.

G.J. Echternkamp tells the story of his relationship with his parents, his mother Cindy (Russo) and his step-father, Frank (Platt). Frank used to be a member of OXO, a band from the '80s whose one hit wonder scored with the song Whirly Girl. Cindy was the ultimate groupie who married Frank and thought life would be glamorous and award shows, but it's not how it turned out.

电影明星文森特（艾德里安·格尼尔AdrianGrenier饰）跟他的好兄弟艾里克（凯文·康诺利KevinConnolly饰）、特托（杰瑞·费拉拉JerryFerrara饰）及伽玛（凯文·狄龙KevinDillon饰）重出江湖，加入金牌经纪人兼电影公司总经理阿里（杰里米·皮文JeremyPiven饰）的旗下。他们在竞争激烈的好莱坞演艺圈里摸爬滚打，杀出重围，在这期间，他们的目标也发生了微小的变化，但彼此的友谊仍坚定无比……

故事的主人公是一个在任何方面看起来都很普通的男人。一次偶然的机会，他遇见了自己非常喜欢的女孩，然而不凑巧的是，当时他傻乎乎的闹出了许多笑话，活像个小丑。随后为了将女孩追到手，主人公绞尽脑汁，用尽各种办法，就是希望对方能明白自己的心意，不要误以为他是一个不解风情的家伙。

奥斯卡奖得主麦克而凯恩和本金斯利合演。福尔摩斯帮伦敦警察厅破获无数案件，但是福尔摩斯并不存在，而这位大侦探的角色一直由一个叫雷金纳得琴凯德德人扮演，他是华生雇佣德临时“演员”，笨拙又酗酒，为此，华生想要解雇他，正当此时，财务部官员要拜访福尔摩斯，华生只好留着他，继续这弥天大谎，“依靠”他破解新谜团。

Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

14岁的杰森（弗朗基·穆尼兹 Frankie Muniz 饰）相貌帅气聪明伶俐，才华横溢的他小小年纪即在编剧上展现出了过人的天赋。一次偶然中，他发现自己的作业被好莱坞制片人马迪（保罗·吉亚玛提 Paul Giamatti 饰）偷偷窃取拍成了电影《超级大骗子》，不仅如此，这部电影更因为优秀的剧本而获得了巨大的成功。眼看着自己的劳动果实被强取豪夺，杰森决定不再沉默，他伙同自己的死党凯利（阿曼达·贝尼斯 Amanda Bynes 饰），两人来到了好莱坞。　　面对气势汹汹前来兴师问罪的两个小毛头，在好莱坞有着极高名望和声誉的马迪当然没有将他两放在眼里。小看他人的人必将受到回击，很快，杰森和凯利便用自己的实力让马迪明白他们并不好惹。

8个身份不同且互不相识的陌生人在同一时间醒来，发觉自己身处在一个立方体形状的房间内，没有人记得他们是怎么来到这的，也没有人知晓自己身处何方。几个人经过调查发现，立方体的上下左右四个面各有一道门，联通着另外一处相同的立方体，而不同的只是各个房间内的机关陷阱。整个建筑的结构仿佛一个布满危机的魔方大厦，并且充斥着现代科学难解的超自然现象，8人历尽千难万险，陆续有人横遭不测，究竟谁才能从噩梦中挣脱？本片是小成本高口碑加拿大科幻惊悚片《立方体》（又名异次元杀阵）时隔四年后的续集，由好莱坞B级片王者狮门影业制作发行。影片延续了前代的故事架构，并进一步的引入了四维空间的概念，使得电影整体风格更加抽象和奇特。