Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).　　The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.

准妈妈露西亚搬到了一个偏远的林间小屋和她的祖母一起居住。尽管四周看起来很安全，但露西亚被不详的记忆萦绕着，感觉“那家伙”会不惜一切来找她。。。

准妈妈露西亚搬到了一个偏远的林间小屋和她的祖母一起居住。尽管四周看起来很安全，但露西亚被不详的记忆萦绕着，感觉“那家伙”会不惜一切来找她。。。为了逃离邪恶的黑金属乐队的领导者，露西娅和她的祖母搬到了森林里的一个偏僻的小屋。虽然她周围很安全，但她却被他的记忆所困扰，并知道他会不惜一切代价追捕她。露西亚是一位年轻的孕妇，她和她的祖母住在森林中央的一个偏僻的小屋里，她的祖母是一位神秘而阴沉的哑巴老妇人，她通过神秘的音符与她交流。露西娅逃离了一段曲折的过去，来到了她祖母荒凉的房子：她是一个由黑金属狂热分子组成的邪教的成员，该邪教犯下了一系列罪行。但更重要的是，她这样做是为了逃避迫在眉睫的危险：El Monje Negro（黑和尚），黑暗无情的邪教领袖，也是她怀孕的孩子的父亲，他计划谋杀她和她的孩子。她的孩子参加了一场邪恶的仪式