电影回顾了匈牙利风雨飘摇的20世纪。一位92岁的匈牙利女性在与五十多岁女儿的对话中，回顾了她惊心动魄的一生。她成长于匈牙利动荡的年代，与一位帅气的军人一见钟情，为了避免战争的冲突，她一生搬家了27次。电影以幽默和温情的方式来呈现了这段不凡的个人经历。它不仅是一位女性的个人史，亦是匈牙利的国家历史。

电视剧《孤国春秋》的续作，根据原著小说最后三部改编。主人公乌特雷德将辅佐埃塞尔斯坦登上王位并统一英格兰。“七位国王会死，贝班堡的乌特雷德，七位国王和你所爱的女人，（……）那是你的命运。阿尔弗雷德的儿子不会统治，威塞克斯会死，撒克逊人会杀死他所爱的人，丹麦人会获得一切，一切都会改变，一切都会像过去一样，将来也会一样。”——Ælfadell

A tough guy turned star. He did something others wouldn't dare. Always one step ahead of the cops and always downed a whiskey before robbing a bank. Growing up in a broken home Attila (Bence Szalay) was a troubled teenager, even spent time in a youth prison. Through a rather bizarre turn of events he escaped to Hungary from Transylvania. But his new life turned out to be much harder than the old one. He was the goal-keeper on a hockey team, but still had no money, no girlfriend; but then he found something that he's really good at. He was reckless, fast and meticulous. He started robbing post offices, banks, travel offices. The more he stole, the hungrier he got. Nothing was enough for himself and his new love (Piroska Móga). But his final job didn't go as planned and the determined investigator, (Zoltán Schneider) who's long been on his tail finally caught him and made him face the consequences. But the cop-robber game is far from over. A story of a fascinating life, full of amazing pursuits, action scenes - told through the lense of legendary director of Kontroll and Predators, Nimród Antal.

When Fuchs starts his new job as a teacher in a prison school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the mysterious, withdrawn inmate Samira.

毒贩和他的女同伙在他们的最后一次任务上反水了他们的老板，最后被困在时间循环中。

《辛巴德》是由Zoltán Huszárik执导，Zoltán Latinovits、Éva Ruttkai主演的剧情片。该片改编自匈牙利作家裘洛克罗迪的中篇小说，讲述了一个年老的养尊处优者和唐璜式人物对昔日风流韵事和幽会的伤感回忆的故事。　一部非常具有匈牙利特点的电影，无论是人物的服装，周围的环境还是影片要表达的主旨上都是典型的匈牙利风格。英国电影评论家David Robinson曾经断言这部影片在2000年以前从未在匈牙利以外的任何国家被广泛接受过，因为很多匈牙利人相信这部影片太过本土化而并不能得到其他国家人们的理解和认同。然而电影是超越国界的语言，我们会被其中任何一点优秀的品质所打动，Huszarik的改编和萨拉的摄影都是非传统的，色彩斑斓的，并且是有创造力的，这就已经足够了。影片表达的是对生命的赞美，描绘自然界中生命的循环往复和人们追忆旧梦时光时的感叹，并在正常的情节发展过程中搀入了男女主角无序的回忆片断，关于他们曾经放荡不羁的爱情生活，影像如油画般精美（Huszarik同时也是一位著名的画家）。　　1972年曼海姆-海登堡国际电影节约瑟夫·冯·斯特恩伯格奖　　1988年入选匈牙利现代电影50年十佳影片影片表达的是对生命的赞美，描绘自然界中生命的循环往复和人们追忆旧梦时光时的感叹，并在正常的情节发展过程中搀入了男女主角无序的回忆片断，关于他们曾经放荡不羁的爱情生活 [1]  。