搜索"Ju" ,找到 部影视作品
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Drivenbybiologicalexcess,ayoungmanandwomansearchforsexualfulfillment,unawareofeachother’sexistence.Unfortunately,theyeventuallymeet,andthebondingofthesetwoveryunusualhumanbeingsendsinanexplosiveandultimatelyover-the-topsexualexperience,resultinginatrulygodawfullovestory....WithbizarrespecialeffectsbyGabeBartalos,ahip-hopsoundtrackfromPrincePaul,andshotinglorious35mm,BADBIOLOGYisguaranteedtoshockeventhemostdesensitizedofaudiences,andsuretobecomeamoderncultclassic.WrittenbyAnonymous
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贫穷的青少年试图逃出人口贩子的魔爪,当遵守道德原则与挣扎求生相互冲突,他必须权衡取舍。18 岁的马特乌斯离开乡村,前往圣保罗的垃圾场寻找工作机会。到达那里后,马特乌斯和其他一些男孩成为类似于卢卡所实行的现代奴隶制的工作制度的受害者,迫使马特乌斯做出艰难的决定:是为奴役他的人工作,还是在不同谋的情况下冒着自己和家人的未来的风险。为了让在乡下的家人过上更好的生活,18 岁的马特乌斯为新老板卢卡接受了圣保罗垃圾场的一份工作,但却陷入了危险的人口贩卖世界。为了让在乡下的家人过上更好的生活,18 岁的马特乌斯为新老板卢卡接受了一份在圣保罗垃圾场的工作。但当他和其他几个男孩陷入人口贩卖的危险世界时,马特乌斯将被迫做出决定,是为监禁他的人工作,还是拿他和家人的未来冒险。
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《伴你高飞》是由卡罗尔·巴拉德执导,安娜·帕奎因和杰夫·丹尼尔斯主演的剧情片 [1] 。于1996年9月13日在美国公映 [5] 。《伴你高飞》是一部根据真人真事改编的影片。该片讲述一个关于回家与成长的故事,通过一种平淡而又富有趣味性的方式展现出父女之爱、自然之爱 [7] [10] 。13岁的艾米(安娜·帕奎因AnnaPaquin饰)在一场交通事故中失去了母亲,只好被送到与母亲离异多年的父亲(杰夫·丹尼尔斯JeffDaniels饰)身边。父亲经营着一座农场,整日琢磨各种稀奇古怪的发明,面对已经长大的艾米难免不知所措,二人最初的相处生疏而隔阂。艾米收拾好丧母之痛,也努力适应农场生活,一日在一片树丛发现一窝被遗弃的大雁蛋,她小心将它们捧回家里,并成功孵出一窝小雁,但是出于政府野雁不可以家养的规定,艾米必须要令这些小雁放归自然。父亲想出了奇妙的主意帮助艾米,他动手为她制作了一架滑翔机,让她带着小雁学会飞翔,然后在迁徙季节一路护送“雁妈妈”艾米带领小雁们飞向安大略湖,在这个过程中,一对父女的心也开始紧紧连在一起……13岁的爱米(安娜·帕奎因饰)和妈妈生活在一起,一次交通事故夺去了妈妈的生命。爱米跟着久未谋面的父亲来到了农场生活。父亲(杰夫·丹尼尔斯饰)酷爱飞行和发明,家里面到处都是稀奇古怪的发明。所有的这一切都让爱米感到很不适应。在一片被开发商推倒的树丛中,爱米意外的发现了一窝大雁蛋。爱米将这些雁蛋带回家,用自己的衣服和灯泡作了一个简单的孵化箱,一天天的等待着小雁出壳。一天,当爱米再次打开孵化箱的时候,一群湿漉漉的小雁子正瞪着圆溜溜的眼睛好奇的看着她。小雁子出壳了。出于本能,小雁子会把他们出壳后第一次看到的活的动物认做是自己的妈妈。于是,爱米就成了雁妈妈,小雁子们始终寸步不离的跟着她,在她身后争先恐后的奔跑着。 在这些小雁子身上,爱米重新找到了快乐。可是按照政府的规定,野雁(加拿大黑雁)不可以被家养。为了让这些野雁重返自然,为了让爱米从失去母亲的悲伤中解脱出来,父亲卖掉了自己心爱的月球登陆舱,为爱米做了一架象大雁一样的飞机,教会了爱米飞翔。爱米驾驶着飞机冲上蓝天,在她身后,有长长的一队大雁在陪伴她一起飞翔。 爱米和父亲驾驶着飞机,带着雁群,向雁子过冬的地方——安大略湖飞去。他们飞过河流,飞过草地,飞过城市。那个13岁的女孩和她的雁群成了天空中一道靓丽的风景,吸引着人们的目光。爱米终于到达了目的地,把大雁带回了家。等候在那里的一大群人都高兴的欢呼起来。阳光下,爱米的野雁在湖水中自由的嬉戏,南方的太阳柔和的给它们披上了一层温暖的光 [2-3]。
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Leshabitantsd’unetourdecitédécouvrentunmatinqu’unvoilenoirobstruetouteslesfenêtresetlaported’entréedel’immeuble.Unvoilenoirquidévoretoutcequitentedelepénétrer…
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美国钢琴家理查德(保罗·里斯PaulRhys饰)年届四十,和经纪人约瑟夫(艾伦·科德勒AllanCorduner饰)长期暧昧不清。在一次表演中,理查德认识并喜欢上了为他翻页的十八岁少年保罗(凯文·毕肖普KevinBishop饰)。因为父亲外遇,保罗陪母亲到巴塞罗那散心,从而与理查德再次邂逅。一个是仰慕者一个是引诱者,从灵魂到肉体,钢琴家彻底虏获了翻页少年。然而天才横溢的理查德从不为感情停留,而情窦初开的保罗对人生有太多困惑。两人在喷泉与鲜花盛放的巴塞罗那街头拥吻分手,留下的振荡却经久不息,一直扩散到大洋彼岸......本片入围第52届柏林电影节官方主竞赛单元,片名“爱之食粮”源自莎士比亚戏剧《第十二夜》。电影以音乐为线索,讲述了一段跨越美欧大陆的师生不伦之恋。
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克伦在返回他祖传老家之时,发现了一个住满了半兽人的爱尔兰小镇。一个由残暴的猎狼犬转化成的绝世美女激发了克伦祖传的的热情基因,克伦究竟是会选择他的家庭还是选择释放他自己深藏的兽性呢?
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A story of faith and disbelief. Of uprootedness and affiliation. What makes a boy from art school decide to leave home and live as a girl on the streets of Berlin selling her body for money? For more than ten years, photographer and filmmaker J. Jackie Baier followed transsexual Julia K. from her birthplace, Klaipeda in Lithuania, to her tough life on the streets as a hooker, outlaw and nonconformist who never signed any social contract. "Julia is missing again. Yesterday I visited her in the porn cinema, in where she has crashed for the last six months. We sat in the common room of the hookers, which doubled as Julia´s bedroom; a smoky, dingy basement without any daylight, roughly the size of a prison cell, with a couch, a counter, a coffee machine and a TV, out of which some cheap television series blared at full volume. This room was what her life was limited to. She only left it when Mamsell called her for a client. I´d seen her for the very first time while she still worked at a bar in Wilmersdorf. For some time we both worked there, tempting clients with booze, offers of sex, whatever would bring in money. I soon left the business, though. The madam was simply not convinced that I was a good hooker and actually she was right - even though I learned a lot by watching Julia. Julia was soon to be out as well. She didn´t really get along in that joint. The madam had some kind of style, while Julia just had her style. It just couldn´t work. Afterwards they said that Julia was always drunk, but that can´t have been the reason, since if she had always been drunk, it probably would have worked out with the boss, who was chronically drunk herself, after all. About a year later I met Julia again. I was riding on a bus to Schöneberg, and she was at the corner of Froben-and Bülow - hustling at the strip. We drank a couple of beers at Bianca´s kiosk and she asked at some point if I wouldn´t mind taking some pictures of her again. I didn´t have my proper camera on me, just my mobile. I took some shots and once I left, promised to return. When I went back two nights later, this time with my camera, Julia had vanished. At the kiosk they said that she was dead, probably frozen to death somewhere. But then she reappeared." [J. Jackie Baier, 2006] J. Jackie Baier (b. 1955 in Kiel, Germany) received an MA in Literature at the University of Essen in 1982. She worked as assistant director on films by, among others, Peter von Zahn, Michael Lentz, and Adolf Winkelmann, and made several documentaries. In 1983 she made her feature directorial debut with Die Mission - Film vom Frieden und seinem Krieg (which premiered at the Berlinale (Forum). From 1985 to 1988 she wrote and directed two television movies for ZDF, Die Splitter der Eisbombe and Frühstück für Feinde. She has directed TV series since 1995. She had a sex change in 1997; Johanna Jackie Baier was officially a woman. She started to experiment extensively with photography and has exhibited her work at national and international art fairs. In 2006, she presented a selection of photographs and a short film as part of the group show SEX WORK (Neue Gesellschaft für bildende Kunst, Berlin). In 2011 Baier´s feature-length documentary House of Shame premiered at the 61st Berlin International Film Festival. 2013 Julia (doc) 2011 House of Shame: Chantal All Night Long (doc) 1988 Frühstück Für Feinde 1984/85 Die Splitter Der Eisbombe 1983 Die Mission - Film vom Frieden und seinem Krieg
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Bablu是个特别孩子气的上进好青年。人生有3大目标:让妈妈幸福、成为世界上最好的厨师,第3个嘛……保密。可他相依为命的妈妈却希望他继承祖业,做一名光荣的摔跤手,一次偶然的巧遇,他不但获得了一份梦寐以求的好工作------一家五星级酒店的主厨,而且结识了美丽的女上司Sonia,并相互产生好感,美好的人生就要展现在他面前。 Manu是个残暴的黑社会分子,因为同伙的出卖,被关进了监狱,可他设法从监狱中逃了出来,找他的同伙开始了疯狂的报复,他有个红颜知己名叫Lily,每每在他身陷险境时帮他脱困。 这两个人的人生本无交叉,却因为长着一付一模一样的面孔弄的笑料百出,不但警察分不清他们谁是谁,就连Lily和Sonia也常常张冠李戴。面对搅成一锅粥的局面,Bablu终于用行动向母亲证明,一颗聪明的脑袋比强壮的身体顶用的多。
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蒲柏返乡处理父亲后事,却发现小镇已经不是他离开时的那样,曾经和平宁静的邻居对当地警察的偏见和腐败都痛恨不已,在他一个死党的帮助下,开始与当地警察斗法,准备让老家重返宁静。
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在一个隐秘的脱衣舞俱乐部里,围聚着一群异形生物和一个变节的联邦警员,这些异形生物以人血为食,它们的攻击带有奇特的麻醉作用;联邦警员身份特殊,手上附着生物芯片……他们同时出现有一个原因:那就是带有生物作用的药品已出现在俱乐部里……