Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

　　《克拉拉傳》，克拉拉是德國第一位化學女博士，嫁給的丈夫弗裡茨哈珀是德國著名的化學家，氮肥之父一戰化學戰之父。因為氮肥獲得諾貝爾化學獎，但因為研製了N多化學武器被詬病，後來也由於他猶太人身份被德國驅逐，一些親人也死于他發明的化學武器。這是他第一任妻子的傳記片，或者代表他曾經有過的良知，良知死去了，片中的兒子後來也死於自殺。女主演的不錯，是《我們的父輩》裡那位女演員。克拉拉·伊默瓦尔 (Clara Immerwahr) 和她的丈夫弗里茨·哈伯 (Fritz Haber) 都是年轻而有天赋的化学家。第一次世界大战期间，他们在民族主义德国争取承认的斗争导致了第一批化学武器的开发和使用。克拉拉·伊默瓦尔（Clara Immerwahr，1870-1915）是中欧第一位学习自然科学的女性。作为一个年轻的女孩，她遇到了正在学习化学的弗里茨·哈伯。他们希望一起为人类的利益进行研究。经过长时间的分居——他们在不同的研究地点工作——他们结婚了，弗里茨在卡尔斯鲁厄得到了一份教授的工作。克拉拉也被允许在那里进行研究。但她那个时代的习俗和规则却对她不利。她只被允许无偿“参与”，而弗里茨则越来越成为沙文主义者。然后他们发明了“从空气中合成氨”。然而，他对克拉拉的合作保持沉默。氨是化肥和炸药的主要原料。弗里茨·哈伯的发明让德意志帝国在第一次世界大战中将其用作毒气，