本（马修·布罗德里克MatthewBroderick饰）希望能够成为一名儿童歌曲创作歌手，可现实是残酷的，他似乎并没有这方面的天赋。为了维持生计，本还从事着校对的工作，但在不久之前，他得到了解雇通知，这也就意味着，本彻底成为了无业游民。在事业一败涂地的同时，本也没能够扮演好一个父亲的角色。答应带女儿出去玩的他，留给女儿的只有不断的承诺以及不断的爽约。在纷乱的生活中，唯一能让本放松的，就是和自己的室友艾博（迈克尔·威廉姆斯MichaelKennethWilliams饰）在一起抽大麻打屁。艾博生病了，可是政府福利部门却并不想支付本应该由他们负担的医疗费，本决定为了自己的朋友替身而出，将福利部门告上了法庭。

Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

《圣诞恋爱季》是由Christin Baker执导，Dominique Provost-Chalkley、Jessica Clark主演的喜剧片。该片讲述了三对夫妇在圣诞节前到新年之间的各种松散相关的故事中处理爱情生活的故事。众人期待的圣诞节即将来临，而艾瑞斯（多米尼克·普罗沃斯特-切克利 Dominique Provost-Chalkley 饰）也将在不久之后同相恋多年的男友席翁携手步入婚姻的殿堂，此时此刻，她的整个人都沉浸在幸福的气息之中。然而，让她没有想到的是，就在这个节骨眼上，席翁竟然选择了逃婚，艾瑞斯所预设的未来全部都化为了泡影。　　在这万般艰难的时刻，好在有朋友们陪伴在艾瑞斯的身边，其中就有席翁的表姐麦道尔（杰西卡·克拉克 Jessica Clark 饰）。对于艾瑞斯的遭遇，麦道尔实际上是有一点点幸灾乐祸的，因为她一直默默的喜欢着艾瑞斯，如今的情况让她对这段本来无望的爱情重新燃起了希望。离圣诞还有4天，准新娘Iris（独家记忆女主）就要和相恋几年的男友Theo结婚了，但是Theo逃婚了...Iris无比难过，她的挚友们Mardou，Lou（一个完美的结局女主）还有表妹Janey一直陪着她。Mardou 是Theo的姐姐，她其实一直爱着Iris... Lou是一家酿酒厂的老板，正在为酒厂开业忙碌着，她要找一个焊工，谁曾想来帮她的焊工竟然是她的“恶邻”...Janey有一个交往多年的女友Sue（狙魔女杰里的小妹），Sue是个才华横溢的音乐人，但是有焦虑症，害怕在众人面前唱歌，平时在街头和酒吧弹吉他，Janey偷偷把Sue唱歌的视频传到网上，结果...所以姬圈是个圈呀，有情人能否终成眷属？这个圣诞，让这一大家子人带你感受浓浓的爱意和别样的浪漫 [2]  ！

疯狂科学家的祖父发明了基因改造机器，他 4 岁的孙子意外地将自己的身体变成了 30 岁的男人。鲍比宝宝逃跑了，在镇上跑来跑去，他的兄弟姐妹试图在父母度假回来之前、坏人先找到他之前抓住他。这台机器值很多钱，但他们只有一天的时间，机器就会失去把鲍比宝宝变回来的能力。疯狂祖父的发明将蹒跚学步的弟弟变成了 30 岁的男人，功能失调的兄弟姐妹试图与他们的“小弟弟”发生争吵。当疯狂科学家爷爷的基因改造机器将他变成成年人时，4 岁的鲍比开始躲避男人，无论是好人还是坏人。当一个 4 岁的孩子接触到祖父的一项发明时，他最终将自己的身体变成了一个成年人的身体。他在镇上的恶作剧很快就让他兄弟姐妹们追随他，试图在父母回家之前找回家里最小的成员

朱莉·哈特回归执导，格蕾丝·万德沃尔回归主演，迈克尔·潘操刀续集影片的原创音乐，哈特与约旦·霍洛维茨共同操刀剧本。续集影片将围绕星星女孩进入一个更大的充满了音乐、梦想和可能性的世界展开。瑟曼将饰演洛葛...

本剧灵感来自普利策奖获奖作家伊迪丝·华顿未完成的同名最终作，由全女性创意团队主导。英国喜剧演员KatherineJakeways为剧集创作者和领头编剧，SusannaWhite（《安多》《荒凉山庄》《简爱（2006）》）担任领头导演，两人同BethWillis（《援助》《神秘博士》）均为执行制片。TheForgeEntertainment为制片方，所以这应该是一部英剧。有钱的女孩，有权力的男人。新财富，旧秘密。1870年代（19世纪70年代），一群喜爱玩乐的年轻美国女孩闯入满是紧身胸衣的伦敦社交季，掀起了一场英美文化冲突。她们对数百年传统的漠视令人耳目一新，悄然渗透着英国这片感情克制（上嘴唇僵硬/stiffupperlip）的土地。“海盗”们被家族派去寻找丈夫、获取贵族头衔，但她们的心之所向远不止于此，一句“我愿意”只是个开始。普利策奖获奖作家伊迪丝•华顿（Edith Wharton）未完成的同名小说《海盗》。这部电视剧由一支全女性的创意团队主导，英国喜剧演员Katherine Jakeways担任剧集创作者和领头编剧，Susanna White担任领头导演，Beth Willis则是执行制片人。制片公司是The Forge Entertainment，这部剧应该是一部英国制作的电视剧。故事背景设定在19世纪70年代的伦敦。这个时代是英国社交季，充满了严格的社交规范和传统习俗。然而，一群富有并喜好享受生活的美国女孩却闯入了这个充满紧身胸衣和繁琐礼仪的社交圈子，掀起了一场英美文化冲突。这些女孩对英国传统的漠视和独立自主的生活方式引起了轰动。她们不仅被视为家族的"海盗"，被派去寻找丈夫并获取贵族头衔，而且她们的追求远不止于此。她们在这个时代的情感克制和社交压力之下，试图寻找自己的幸福和自主权，一句"我愿意"只是她们追求自由和独立的开始。这部电视剧探讨了女性在19世纪社交圈中的地位和权力，以及她们对传统和规范的挑战。同时，它也强调了英美文化之间的差异和碰撞，使观众了解那个时代的社交风气和女性的角色。