PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,

哥德，太平间的驼背者，由于驼背和丑陋的外表，经常被人取笑，而他去一直爱着病重的女孩，伊尔丝，当伊尔丝死后，愤怒的他杀了那些取笑他，亵渎伊尔丝的美丽的人，并且之后便消失了，而医院的奥尔拉医生却在禁止的情况下仍然做着非法的实验，并且答应帮助哥德重新让伊尔丝重生，究竟还有什么 可怕的事会发生呢？一位名叫杰克的平凡上班族突然发现，他每天上班的路上出现了一只会说话的猫。这只猫名叫麦克，喜欢帮助人类解决问题，特别是那些带着幽默和搞笑的问题。杰克很快与麦克成为了好友，每天上班路上，他们开始进行一系列搞笑的冒险。他们先是遇到了一个脾气古怪的出租车司机，司机在他们上车后开始大叫大喊，并试图把他们赶下车。麦克一句机智的玩笑话让司机笑得不行，并最终帮助杰克和麦克找到了下一辆友善的车辆。接下来，他们遇到了一位名叫艾米的年轻女士。她向麦克求助，因为她的咖啡店最近营业额下降。麦克带着杰克一起帮助她制作一种搞笑而美味的咖啡，吸引了许多新客户前来品尝。在这个过程中，杰克越来越了解到麦克的能力和魅力。他们一起解决了麦克爱偷吃食物的问题，还帮助一位难堪的客户与她的丈夫修复了破裂的关系。最后，杰克和麦克在一场巨大的搞笑表演中展示了他们的才能和友谊。他们的表演吸引了数百人的观众，所有人纷纷笑得不停。在电影的结尾，杰克对麦克说：“谢谢你的陪伴和帮助，我的朋友。即使我们的冒险结束了，我希望我们的友谊将永远持续下去。”麦克用一只爪子拍了拍杰克的肩膀，然后扬起尾巴表示同意。这部不要名字的搞笑电影以温馨和幽默为主题，展示了友谊和自信的力量，使观众在爆笑的剧情中感受到快乐和乐观。