Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

　　17岁的女孩Davey 正处于最痛苦时期，父亲因遭遇抢劫被枪杀，母亲带着她和弟弟前往新墨西哥的亲戚那里。女孩感觉非常孤独，没有人能真正了解她，直到她遇到了一个神秘的年轻人，他可以理解她，并帮助她走出困境……戴维被悲伤的母亲强迫从新泽西州大西洋城的家搬到新墨西哥州洛斯阿拉莫斯这个奇怪的“原子弹”小镇，她不再知道自己是谁，也不知道如何融入其中。曾经重要的一切——高中生活的朋友、名誉、聚会和期望突然间变得微不足道，戴维确信没有人对她正在经历的混乱有第一手线索。[5]但当她遇到沃尔夫，一位正在探索周围峡谷的神秘美洲原住民登山者时，她觉得他能够洞察她最狂野和秘密的情感。他们之间紧密的关系将戴维从边缘拉了回来，她找到了勇气开始人生中的第一次伟大冒险。

eee一场大火侵袭的熊谷国家公园，在救援人员奋力扑火之时，动物们也纷纷失控，还有一只未被发现过的大怪兽……《猎捕森林怪兽》（Hunting the Phantom）是一部2014年上映的俄罗斯动作冒险电影，由马克西姆·沙尔戈特执导。影片讲述了一位名叫查理斯·哈里斯（由克里斯托弗·洛伊德饰演）的富有的商人，他追踪一种神秘的生物，被称为森林怪兽。这种怪兽据说具有超自然的力量和无与伦比的智慧，而哈里斯则希望利用它来获取巨大的财富和权力。哈里斯组建了一个特殊团队，包括科学家、战士和技术专家，他们深入丛林，追踪和猎捕森林怪兽。然而，随着任务的进行，他们渐渐发现这个任务比他们想象的更加危险和复杂。他们不仅要应对森林中的自然障碍，还要面对其他势力的威胁和背后的阴谋。影片融合了动作、冒险和科幻元素，充满紧张刺激的场面和惊险的追逐。它展现了主人公们的勇气、决心和团队合作精神，同时也探讨了人类对力量和财富的渴望以及对自然界的冲突与破坏。《猎捕森林怪兽》以其华丽的特效和动作设计，营造出一个神秘而危险的丛林环境。演员克里斯托弗·洛伊德在片中饰演了一个雄心勃勃的主角，展现了他的才华和魅力。该片不仅是一部冒险动作电影，还融入了对环境保护和人类贪婪本质的思考。它引发观众对人类与自然关系的思考，并提醒我们保护和尊重自然界的重要性。对于喜欢动作冒险片以及对环境议题感兴趣的观众来说，这部电影将提供一场刺激和引人思考的观影体验。