Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb

After the suicide of her only friend, Rachel has never felt more on the outside. The one person who reached out to her, Jessie, also happens to be part of the popular crowd that lives to torment outsiders like her. But Rachel has something else that separates her from the rest, a secret amazing ability to move things with her mind. Sue Snell, the only survivor of Carrie White's rampage twenty-two years ago, may hold the key to helping Rachel come to terms with her awesome, but unwanted power. But as Rachel slowly learns to trust, a terrible trap is being laid for her. And making her angry could prove to be fatal.

《南希·德鲁和隐藏的楼梯》是凯特·西亚执导的悬疑片，索菲·莉莉斯、劳拉·威金斯出演，于2019年上映。该片讲述了南希还两姐妹清白的故事。索菲娅·莉莉丝([小丑回魂])将参演华纳打造的新片[南希·德鲁和隐藏的楼梯](NancyDrewandtheHiddenStaircase，暂译)。早在1939年华纳曾打造老版电影。影片故事讲述维多利亚时代，一对上了年纪的姐妹在房里遭遇奇怪事件，而她们更是被指控谋杀。而南希必须找到个中原因，以此还两姐妹清白。该片由艾伦·德杰尼勒斯、杰夫·克利曼制片，预计今年5月展开拍摄。影片故事讲述维多利亚时代，一对上了年纪的姐妹在房里遭遇奇怪事件，而她们更是被指控谋杀。而南希必须找到个中原因，以此还两姐妹清白 [2-3]  。南希·德鲁是一位年轻的侦探，她受到一个奇怪案件的委托-有人在教堂中看到了一个莫名其妙地消失入口。冒着风险，南希进入了教堂，并发现隐藏在墙壁后面的秘密楼梯。沿着楼梯上行，她遭遇了各种危险和谜题挑战。最终，她找到线索并成功地解开谜团，并揭示了隐藏在这个神秘教堂里的真相。

一对姐妹和兄弟寻求报复从小就困扰他们的邪恶力量。随着故事的展开，威尔逊和达芙妮的角色互换了，威尔逊被迫放弃他孩子般的天真，演变成那种他相信可以对抗跟踪者似乎所拥有的身体力量的人。但最终的战斗不是肉体的战斗，而是灵魂的战斗。看着威尔逊击败自己的纯真，无论他相信自己在为了什么而战，都令人不安。但无论强度如何，达芙妮和威尔逊所逃避的现实都有着不可否认的吸引力。由于几乎没有视觉效果，甚至更少的说明线索，观众知道肖氏家族过去的阴影中潜伏着一些邪恶的东西。这才是真正恐怖的体现。认识到黑暗却没有能力见证堕落的深度。这是独立电影制作的真正独特之处。没有工作室的干扰，可能会坚持加快叙事速度来安抚观众有限的注意力，《当我吞噬你》成功地捕捉到了一种不可避免的恐惧感，这种恐惧感构成了最纯粹的恐怖形式。

ABostonpoliceofficergoestoNantuckettoinvestigatethemurderofhispartner,buthefindsmorethanhebargainedfor.

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